VA’s BEST OF 2015: GREAT TUNES FROM A ROTTEN YEAR

VA's Best of 2015 Great Tunes From A Rotten Year

(Graphic by VA)

My year-end recap is appearing late, just as it usually did back on Open Salon.  But I see this as a victory that I am even getting this up online as my blogging has largely been in deep freeze since the shuttering of Open Salon—which housed the former flagship (and much more widely read) version of this blog—in March 2015.

OS shutting down is but just one fabaroony event of many that helped make 2015 a particularly rotten, rotten year for me (and I had thought 2012 was a bad one…).  Mind you, last year seemed like a less than fine one around the world as well as for a high proportion of people I know, for seemingly a variety of reasons.  That’s the nature of life, sometimes, so I guess I’m not an outlier in that regard.  Misery and company, etc. etc.

Enough of the Deborah Downer … On the plus side, there was lots of terrific tuneage and related media to lift the spirits.  And so, without further adieu, here are 15 foci from 15: the soundtrack highlights to one crappadoodles set of twelve months, starting with … Read the rest of this entry »


David Bowie 1947-2016: Often Copied, Never Equalled

Scary Monsters Ad NME Sept 27 80

A week after Bowie’s passing and I still can’t quite process that he has gone.

I was pretty gutted when Lou Reed died but Bowie’s death has hit me even harder. It’s impossible for me to think back on my life without the music of David Bowie being an integral part of its soundtrack through the decades. We’ve lost a creative giant and someone whose work touched my life irrevocably. This is a real chapter-closer, severing a big link with my youth.

However, it’s heartwarming to see the amazing reaction the world the world has given him upon his passing. And he went out on top, doing his best work in decades with Blackstar, upping the bar he’d been resetting with Heathen and The Next Day.  I am glad I had three days to listen to and absorb it prior to his death, marveling that, at age 69, he was actually breaking new ground, with Blackstar largely being unlike anything else in his back catalogue. I can think of other music artists doing good stuff at 69, but I for the life of me can’t think of anyone other than Bowie doing something new at that age, and doing it well. That’s inspiring.

I was lucky enough to see Bowie five times and, in writing about the first time in 1983, I also wrote in-depth about what Bowie meant to me and how he impacted my life.  I’ll simply relink to what I have already written rather than further reiterate.

Thanks for everything, David. RIP.  You’ll be missed.

022a: Changes: Bowie, The 70s and Me

022b: Let’s Dance: David Bowie with Rough Trade, CNE Stadium, Toronto, Ontario, Canada, Saturday September 3, 1983

TorontoStar Cover Shot

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