Category Archives: folk

15 Favourite LPs

VariousArtists Top 15 LPs 16 Covers16 covers?  You’ll have to read to find out why.

Originally published on OS on September 3, 2010 as part of an open call to writers on the site.

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This post was part of an Open Call here on OS for people to list and discuss 15 albums they have their greatest emotional attachments to.  Since I create associations between albums/songs with, well, just about everything, trying to pick 15 LPs that are memorable owing to specific parts of my life or events would be an insurmountable task.  Therefore, I zoomed through my collection, made a (long) short list and picked my 15 favouritesor what passes as such at this momentbut will briefly discuss each more in terms of memories, time and place, etc than as a critique. (The full long list appears at the bottom.)

My Favourite Album

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178b. Enjoy Yourself: Ottawa Bluesfest 2013 (Pt. 2) with The Specials, The Waterboys, Animal Collective, Solange, and more, July 8-12

Waterboys Ticket Fri July 12 Day Pass
Oooh looky, there’s a curmudgeon onstage …

178b. Enjoy Yourself: Ottawa Bluesfest 2013 (Pt. 1) with The Specials, The Waterboys, Animal Collective, Solange, Balkan Beat Box, and more, July 8-12, LeBreton Flats, Ottawa, Ontario, Canada

The Specials
Monday, July 8, 2013

Sunday was Bluesfest-free owing to the small matter of my visiting nephew — known here as Fast & Bulbous — and I going to see the surprisingly still fab Paul McCartney (that entry is eventually coming too, even with my re-focus back on the past).  Had “The Cute Beatle”™  not come to town on said night, Continue reading

177. We Rule the School: Belle & Sebastian, Saturday July 6, 2013

BLOG Bluesfest wristbands 2013

 This year’s much-used Ottawa Bluesfest full fest passes featuring their mascot, Leadbelly.  He waved at me on Day One.  I think he looks like a blue version of the Just For Laughs gremlin.

177. We Rule the School: Belle & Sebastian, Saturday July 6, 2013, Ottawa Bluesfest, LeBreton Flats, Ottawa, Ontario, Canada, $19.50 (as part of 10-day pass)

I first heard of Belle & Sebastian shortly after their mid-‘90s emergence but didn’t get to actually hear them until just after the turn of this century.  A younger friend of ours from that time was over one night when Donovan came on a CD compilation that we were listening to.  “Who is this?,” he asked.  “It sounds like Belle & Sebastian.” Continue reading

022a: Changes: Bowie, The 70s, & Me

Space Oddity Ziggy Stardust Album Covers Vinyl BLOGMy sister’s original copies of David Bowie’s Space Oddity and Ziggy Stardust.  I have many fond memories of listening to these albums with her.
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My return to the My Life — In Concert! series, this time looking back on seeing David Bowie for the first time, 30 years ago, fortuitously dovetails with last week’s delightful shock that is the release of Bowie’s first album of new material in a decade, The Next Day
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He first came into my orbit 40 years ago in his Ziggy Stardust days, at the dawn of 1973.  His ongoing body of work has been a constant presence in my life ever since, in particular, the ground-breaking succession of albums that he released between 1969 and 1980.
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Before turning my focus to the show at Toronto’s CNE Stadium, I’ll first write about what Bowie and glam rock meant to me, and my impressions on how his emergence had a broader impact on the 1970s.

Lightning struck twice for me shortly after I turned 10.  1972 was bleeding into 1973, and I was thrilled to now be part of the double-digit-age clique, with that majestic 1 planted firmly in front of the stalwart 0 in all its binary glory.  The yellow brick road to Teenageville, and then onto Adultia, stretched out before me like gleaming candy.  I was excited to be starting my journey, one with a down-the-line jackpot of any manner of enticing Pandora’s Boxes filled with mature delights — mature as envisioned by my still-naive-yet-overactive Grade Five imagination, anyway. Continue reading

20/12: My Musical Favourites and Re/Discoveries of Last Year

2012 BEST OF 8TRACKS BLOG
 (8-Tracks Mock-Up by VA)

After a break of several months I’m returning to writing and to the My Life — In Concert! series.  But first, my annual recap …

Rarely have I been so happy to put a year to bed as 2012.  For me, it was the very essence of the phrase “exceedingly crappadoodles.” So, rather than rehash the family crises, near job loss, triple shooting and homicide a few doors down, car theft, etc. etc, etc., I’ll Instead ac-cent-tchu-ate the positive: it’s a new year that’s off to a much better start; spring is around the corner — and there was a shed-load of great tunes during the past year so that not all my associations with it are bad ones. Continue reading

171. Chameleon/Comedian: Kathleen Edwards, February 9, 2012

Kathleen Edwards ticket Ottawa 2012 bronson centre variousartists

My 2012 concert-going began with this magnificent show from returning hometown hero, Kathleen Edwards.  (ALSO NOTE: With the posting of this entry, I am now caught up here on WordPress with all my concert postings from my Open Salon blog, although there are other types of entries on OS not yet available here).

171. Chameleon/Comedian: Kathleen Edwards with Hannah Georgas, Bronson Centre, Ottawa, Ontario, Canada, Thursday February 9, 2012, $43.50.

Back around the turn of the century (isn’t it neat to be able to write that as a contemporary benchmark!), Cublet and I took a trip out to the country to meet up with his family for a barbeque. His sister had just moved into a farmhouse she was renting in tandem with a good friend of hers. “Her housemate is a musician,” Cublet told me. “Hmmm …,” I pondered, with a mix of interest and ambivalence.

Both responses derived from the same source, namely that I’ve known a lot of musicians in my life. Continue reading

020b. Waiting In Vain: 20 Performances I Missed, 1980-2011

nxtc handbill london 1980XTC at Centennial Hall, London, Ontario, Monday November 24, 1980. Too bad the show never happened (Thanks to MZ for the scan of her handbill).

You’ve got the warm ticket in your hot little hands, anticipation is building, and you just know it’s going to be a great experience and a fun night out.

But it doesn’t always work that way.  Shows get cancelled or artists are pulled from advertised lineups owing to illness or personal emergencies.  Or ticket demand is too high — or too low.  Or shows go ahead but it is you that is ill or can’t afford to get yourself there (as you’ll see, that’s a popular one for me during my university years). Or the weather turns crap. Or rides vanish. Or someone joins a cult. And on it goes. Continue reading