NOTE TO READERS: Owing to the March 2015 closure of OpenSalon.com — which was my primary publishing platform, where I initiated this blog and concert series project, and was where most of my pieces were accessed — I need to plug up a few blog-holes (i.e., post-up here a clutch of early Open Salon blog entries that I never transferred to this cyberabode). This post is one of those orphaned Ghosts of Blogging Past that needs a re-debut.
In advance of my Best of 2015 recap (appearing shortly), here is my first year-end music entry from February 2011: 5×5: My “Best Of” Musical Round-Up for 2010. While I am republishing the list as I saw it at that time, I’ve reconsidered some of my choices in the interim. Here’s how I would rank 2010 now from a 2016 perspective: Read the rest of this entry »
178b. Enjoy Yourself: Ottawa Bluesfest 2013 (Pt. 2) with The Specials, The Waterboys, Animal Collective, Solange, and more, July 8-12Posted: November 28, 2014
178b. Enjoy Yourself: Ottawa Bluesfest 2013 (Pt. 1) with The Specials, The Waterboys, Animal Collective, Solange, Balkan Beat Box, and more, July 8-12, LeBreton Flats, Ottawa, Ontario, Canada
Monday, July 8, 2013
Sunday was Bluesfest-free owing to the small matter of my visiting nephew — known here as Fast & Bulbous — and I going to see the surprisingly still fab Paul McCartney (that entry is eventually coming too, even with my re-focus back on the past). Had “The Cute Beatle”™ not come to town on said night, Read the rest of this entry »
Blondie’s 40th and Ottawa Bluesfest’s 20th
185. In The Flesh: Blondie, Ottawa Bluesfest, LeBreton Flats, Ontario, Thursday July 10, 2014. Approx. $50
I first encountered Blondie in the pages of NYC-based Rock Scene magazine in the summer of 1975. It was a single page feature, appearing less than a year after the group’s formation and first shows at CBGBs. Blondie had begun by opening for the also-nascent Ramones who had similarly been popping up in recent Rock Scene issues. Indeed, most of the mid-70s NYC underground first came to my attention via RS.
Retrospectively, I now see what an odd, prescient publication it was on a few fronts.
This year’s much-used Ottawa Bluesfest full fest passes featuring their mascot, Leadbelly. He waved at me on Day One. I think he looks like a blue version of the Just For Laughs gremlin.
177. We Rule the School: Belle & Sebastian, Saturday July 6, 2013, Ottawa Bluesfest, LeBreton Flats, Ottawa, Ontario, Canada, $19.50 (as part of 10-day pass)
I first heard of Belle & Sebastian shortly after their mid-‘90s emergence but didn’t get to actually hear them until just after the turn of this century. A younger friend of ours from that time was over one night when Donovan came on a CD compilation that we were listening to. “Who is this?,” he asked. “It sounds like Belle & Sebastian.” Read the rest of this entry »
Howdy to those of you on both Open Salon and WordPress … I’ve had another OS/WP absence owing to a few reasons: life stuff, some needed household re-arranging, and a spell of writer’s block. I was also having too much damn hot fun in the summertime as of late, seeing a slew of great gigs over the past two months.
Well … that fun seems to have unblocked things. Read the rest of this entry »
154. We Can Get Together: The Hold Steady, “Night of the Living Dead” Live featuring The Hilotrons, July 17, 2010Posted: June 16, 2012
The pre-sale was a particularly good savings on this night, owing to a $60 gate cover for headliner Keith Urban, who we made a point of avoiding.
154. We Can Get Together: The Hold Steady, Night of the Living Dead Live, Ottawa Bluesfest, Lebreton Flats, Ottawa, Ontario, Saturday July 17, 2010, $60.
From Finns Neil to Craig, this night concluded (for me) the exceptional run of gigs that I took in during the 2010 Cisco Ottawa Bluesfest.
This final evening was one part live gig and one part unique event mixing film, theatre, and live performance as a celebration of one of the cult classics, and one of the few horror films I love, 1968’s Night of the Living Dead. More on that in a bit. Read the rest of this entry »
Talk about two great, complimentary, back-to-back sets …
(My ticket says $19.17 as I get an early bird full festival pass)
150. Good Sister/Bad Sister: Hole, Joan Jett & The Blackhearts, Ottawa Bluesfest, Lebreton Flats, Ottawa, Ontario, Friday July 9, 2010, $40.
Back in the late ’80s, I had a conversation about Tom Waits with a rep from Island Records, his label at that time. I was/am a big fan of Mr. Tom and, as it turned out, this woman had functioned as the record company assistant to him and his wife/collaborator, Kathleen Brennan, during their stay in Toronto for Waits’ Massey Hall show in 1987 Read the rest of this entry »