Tag Archives: reggae

025. So Here I Am: UB40, March 7, 1984 & March 14, 1985

UB40 Tickets 84 85UB40 play London, Ontario twice, a year apart almost to the week. (Ticket and program scans by VA.  Other images from internet and arranged by VA.)

025. So Here I Am: UB40, Centennial Hall, London, Ontario, March 7, 1984; Alumni Hall, UWO, London, Ontario, March 14, 1985

When you’re a tunehead lifer, farming your musical terrain with a polycultural approach to sonic agriculture, it’s a reality — indeed a necessity — that certain strains of artists/genres/stylistic obsessions inevitably drop out of and then later resurface in my listening crop rotations.  But, as I’ve previously noted, not all seasons’ harvests continue to yield again down through the years.  While some evergreen produce re-seed and return stronger than ever, others wither and dine on the vine. Continue reading

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023. Back Against the Wall: Circle Jerks … & NYC, Nov. 16, 1983

  Ethel Fred Mertz postcard VA

 Ethel & Fred Mertz (Vivian Vance & William Frawley) in a still from an I Love Lucy postcard that I bought while in NYC.  The physical exuberance depicted in this photo represents but 1/20th of that which was present in the mosh pit during the Circle Jerks’ show. 

023. Back Against the Wall: Circle Jerks, Reggae Lounge, New York City, New York, November 16, 1983, $ n/a

NOTE: While this first part of a two-part entry will touch on the Circle Jerks’ show — and 024 will cover Psychic TV at the Danceteria — these two entries are more about the hijinks, buffoonery and events experienced among my friends and I over several days in NYC in late ‘83.

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019. Walking on the Moon: Police Picnic III featuring The Police, Peter Tosh, James Brown, King Sunny Adé, & more, August 5, 1983

PolicePicnic83

Three consecutive summers of Police Picnics — and four consecutive summers of music festivals — come to a close for me with this final edition.

019. Walking on the Moon: Police Picnic III featuring The Police, Peter Tosh, James Brown, King Sunny Adé, Blue Peter, and The Fixx, CNE Stadium, Toronto, Ontario, Canada, Friday August 5, 1983, $20.

Another summer, another all-day music festival in Toronto headlined by The Police. The last of the three, in fact.

It was part of the band’s final tour undertaken during the time of their original existence, as a promotional vehicle for their fifth album, Synchronicity, which was an immediate blockbuster upon its early June release. Advertised as being along for the ride this time were former Wailer and reggae legend Peter Tosh; the brilliant King Sunny Adé and His African Beats; bland, contemporary new wavers The Fixx; Toronto’s own Blue Peter, then nearing both a career peak and the last throes of their existence; and, best of all and initially the biggest reason for my purchasing a ticket, Scotland’s Simple Minds, then finishing up their global flogging of what is for my money the one truly brilliant long-playing moment of their career: 1982’s New Gold Dream.

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012. Clash City Rockers: The Clash with Black Uhuru, September 5, 1982

One for the ages.

012. Clash City Rockers: The Clash with Black Uhuru, Part 1, CNE Grandstand, Toronto, Ontrio, Canada, Sunday September 5, 1982, $11 … and a Bonus Featurette: Etymology of the Nickname “Lady Bump.”

It would be difficult to overstate just how obsessed I was with The Clash during their late ‘70s/early ‘80s lifespan. Along with The Jam, and then a bit later, Joy Division, they were my favourite band of the era. This 1982 concert was the one time I got to seem them live and was easily the most anticipated show I had attended up until that point. Continue reading